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Ian Beesley (MA Programme Leader, UK): Was born in Bradford and now lives in Saddleworth. He has over twenty years of experience in originating exhibitions and publications, is renowned as a photographer and printer and shoots, process and prints all his own work. He has exhibited widely in the UK and abroad and has work represented in many of the nations art collections, such as the National Museum of Photography, The Arts Council of Great Britain, and The Imperial War museum. More at www.ianbeesley.com
D.J. Clark (MA Programme Leader, China): With ten years experience as a news photographer, DJ has worked for numerous newspapers and news agencies around the world. In 1995 he established Folly Gallery in Lancaster, UK where he worked as the director for four years. His published work includes one photography book and numerous research articles on photojournalism in the developing world. He recently curated the Imaging Famine exhibition, publication and website with The Guardian (September 2005) for which he was awarded a Churchill traveling fellowship in 2003. Recently he ran photography workshops for the British Council and World Press Photo in Europe and Asia and frequently travels to lecture on the new global image economy (including a key note address at the 2008 World Press Photo Awards). In the academic year 2003/4 he taught at Zhaoqing University in China as part of a exchange programme since then he has had a strong interest in Chinese photojournalism. More at www.djclark.com
Yang Xiaoguang (Dean of Dalian College of Image Art Dept, China)
Professor of Photography, Yang completed his MA in Visual art at Columbia Pacific University, USA before returning to his home city Dalian to help establish the College of Image Art. He has an excellent research record having published more than 20 articles and 8 books. He was visiting scholar at University of California Berkeley from 1988-1990 and has recently become involved in documentary film making. His latest film with light production is being shot in Uganda.
Lee Wright MA Writing Lecturer, (UK)
Lee is a Senior Lecturer in Design Theory including Visual and
Material Culture. She is a sub group manager for the theory strand across
two post graduate and three undergraduate programmes in the School of Arts,
Media and Education. As an active member of the Research committee and the
Learning and Teaching committee she has recently developed a post graduate
Research and Study Skills module. Her published work to date is in the field
of Gender and Identity and has given many international conference papers.
Currently her research is in the field of 'The Concept and Representation of
the Vernacular.'
Ulla Marquardt (Professor in Multimedia - China)
Ulla Marquardt, Professor of Moving Images at the University of Applied Sciences, Faculty of Design, in Darmstadt, Germany. Ulla has more than 15 years of experience in photography, video and multimedia production. In 1995 she founded her own company for Audio-Visual Media, where she produced multimedia installations, videodocumentaries and photographic work for museums and institutions. Since 2002 Ulla is responsible for the Moving Images department at her faculty and her main emphasis in teaching lies on multimedia storytelling. Her work has been published and exhibited widely in Germany and abroad. Ulla holds a Bachelors (Hons) degree in Photography and a Masters degree in Media Arts.
Visiting Staff
RDirector of Contact Press Images, which Robert founded with photographer David Burnett in New York in 1976, he has edited many highly-acclaimed books and curated exhibitions throughout the world. A major presence in the photographic community, he has conducted master class workshops in numerous countries and sat on many juries, including the W. Eugene Smith Fund and World Press Photo which he chaired in 2001. In 2004 he received the Overseas Press Club's "Olivier Rebbot Award" for the book Red-Color News Soldier, which he authored with Li Zhensheng. He currently commutes between New York and Paris.
Dr Huang Wen (Visiting Professor - China)
Wen graduated in 1988 with a degree in Photojournalism and went onto to work for the Xinhua news agency where she remains today. She has worked from Xinhua’s bureaus throughout the world covering global news. Her coverage of the war in Kosovo led to her first book and a number of awards. She was given a one year fellowship to be a visiting scholar at Stanford University, California, has written numerous articles and has recently finished a PhD at the People’s University in Beijing writing a thesis on the digitisation of photography in China. She was invited to be a jury member for the 2005 and 2006 World Press Photo awards.
Pieter Van Der Houwen (Visiting Lecturer - China & UK)
Graduated in 1988 St. Joost Academy of the Arts, Breda, The Netherlands Photography and Audio Visual Design, Master of Arts (Hons). Mainly working on photography projects and documentary films Pieter has worked worldwide with a particular interest in Africa. He has published in all major Dutch publications, also VIBE (New York), COLORS (Milan) JALOUSE (Paris), TRANSIT Magazine, (Sydney) DRUM Magazine, (London) and lectured at the Sint Joost Academy, Breda, and The Sandberg Institute, Amsterdam and The Design Academy, Eindhoven.
Visiting Lecturers (2006-8)
Jiang Shao Wu (China 06)
Jiang Shao Wu was a chief photographer at the Liaoning Daily based in Shenyang for 40 years covering most of China's major recent historical events. His archive of images is an invaluable asset to Chinese history which he has preserved in excellent condition.
Known worldwide for his photographic coverage of the Cultural revolution, Li has become China's most famous photographer outside the mainland. His book Red-Color news Soldier has been translated into six languages and been exhibited in major galleries throughout the world. After Mao's death Li became head of photography at his newspaper before going onto becoming a professor at a university in Beijing in 1982,Presently Li Zhensheng lives in New York and is engaged in research, and lectures on the Cultural Revolution, tirelessly pursuing his lifelong mission to enlighten the world about this critical, cruel, and largely unknown period in Chinese history.
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